Living in Honolulu in the 1950s was beautiful and sweet, a highlight of my young life, and this is where I first saw surfing. I was mesmerized by the grace of the surfers as they glided toward shore singly or sharing waves together. My Mom and I enjoyed playing in the waves.
In the early 1960s, often, I mustered up courage to ask to borrow boards when people were finished surfing. I learned to surf on my own by watching others. Riding waves was a dream come true as I had longed to surf for years. Then, in the summer of 1966, I worked at a surf shop—repairing surfboards—and earned $45 to pay for an old 9'7" that had been broken in half and repaired. This board weighed about 30 pounds, and I walked about three miles to the beach carrying it in all kinds of weather, Cher remembers.
Cher has designed, shaped and glassed boards, foiled fins, and been one of the first surfers to ride a Fish. In our area, we are proud of Steve Lis and his invention of the Fish surfboard design in 1967. In the late 1960s and early 1970s, when so much creativity was going on with surfing and board-building in Point Loma and Ocean Beach (San Diego, California), Cher was an artist in college, and built surfboards to work her way through school. Later, in 1974 she met Mike Casey, the head shaper at Channin Surfboards. He appreciated her surfing and passion for surfboard design, and recommended her for the Channin Surf Team. She was the only woman on the team and at the surfboard factory. At Channin, she designed and drew logos for the company brands, and also created surfboard and fin designs. For the Channin logo, she designed it using pencils and paper, and then hand-lettered the logo using french curves and ink pens. This logo was used as the primary logo for the Channin brand for many years. Cher appreciates the kind support and encouragement that Tony Channin shared, and is proud to have surfed and worked for Channin surfboards.
After graduating college, Cher became the first female staff member at Surfing Magazine, where she worked as an Art Associate from 1975–1978.
Based in San Diego, she explored mainland Mexico and Baja California. From the early 1970’s and on, when she managed time off work, Cher pioneered and surfed nearly every remote point in Baja, except Mag Bay, which she attempted twice. During the late 1970s and early 1980s, she often traveled to Hawaii to visit friends and family, to surf and to paint. A true blessing during these years was visiting her long time friend Rella Sunn at Makaha, and sharing many surfing, crafting, shell collecting and diving adventures with Rella.
Her kind mentor and friend Skip Frye encouraged Cher's surfing, and encouraged her to be a part of Women's International Surfing Association (WISA) when the organization was first envisioned. On the competitive side, Cher became a founding member of Women's International Surfing Association (WISA). She won 10th place in the Hang Ten Women’s Pro, the first women’s professional surf contest in 1975 at Malibu; 1st place at the Del Mar Championships in 1979 and 1980 (including a combined men and women's division); 2nd place in the Pro Masters at Churches (San Clemente) in 1997; and 2nd place in the Women’s Masters at the WOW (Women on Waves) event at Malibu in 2000. With her husband Steve, she has competed with the Sunset Cliffs Surfing Association at team events with the Coalition of Clubs, and with the Groundswell Society.
Cher has always enjoyed combining her art with surfing—painting on paper, canvas, digital painting, and on surfboards, as well as photography and video. Travels to paint and surf have taken her throughout California, the East Coast, Mexico, Hawaii, Europe, Australia and New Zealand. Current projects include a series of paintings of waves and water scenes.
Along with Groundswell Society director Glenn Hening, Cher has collaborated on a series of educational surfing conferences SASIC (Surfing, Arts, Science and Issues Conference) held at Scripps Institution of Oceanography.
A contributing writer for The Surfers Journal publication, she has written in-depth profile features about inspiring people who she loves, including: Where the Swell Begins, An Interview with Doctor Walter Munk, issue 18.6; Uncle Val, The Living Link to Surfing's High Performance Roots, Issue 19.6; Homegrown, Steve Lis and His Fish, Issue 20.1; and Edge Boards and The Mysterious Mr. X: The quest for speed at the dawn of the Shortboard Revolution, by Cher Pendarvis, The Surfers Journal, Issue 26.1
In 2012, Cher Pendarvis was honored to have her surfboard and story included in the spectacular California's Designing Women exhibition at the Autry Museum in Los Angeles, during which she received the 2012 Henry Award for a surfboard that she had designed in the late 1970s. It had taken years for the curator at the Museum of California Design to assemble the show, as he searched for women designers in various areas of design from furniture, to ceramics, clothing, graphic arts and more. Cher's surfboard was the only surfboard featured in the show. Cher is grateful to the kind folks at the Surfing Heritage Foundation for referring her to the curator when he asked about early women shapers and surfboard builders.
Cher's husband Steve Pendarvis is an innovative surfboard builder, and Cher often paints his boards. They enjoy discussing fin templates and other design ideas. With a love of history and memories of different eras, she loves to ride all kinds of boards, from smaller fishes to longer boards.
Showing her passion for the history and people of our beautiful surfing community, Cher has made surfing history presentations for the Ocean Beach Historical Society and contributed to projects with the San Diego Maritime Museum, the California Surfing Museum and the Surfing Heritage Foundation. She enjoys combining surfing with her arts, and her love of surfing's pure joy keeps her in the lineups at Sunset Cliffs. Cher is thankful to have surfing in her life and believes that every wave that we ride is a gift and a prayer.
I am an artist who loves the sound of the sea, and riding the moving energy of ocean waves. We appreciate all of the characters and creatures in and around the ocean. We have a wonderful family-ohana.
Cher Pendarvis is the living embodiment of more recent surfing history than can be squeezed into one interview. She has shaped boards, foiled fins, competed in the first professional women’s tour and been one of the first surfers to ride a fish. Cher graciously allowed us to talk to her about her life as a surfer and artist.
My family lived in San Francisco when I was born. My mom was an artist who always sought out beautiful places. Then, when I was about five years old, Mom and I moved to the South Shore of Oahu, as my father (a Navy officer) was deployed on a ship in the Eastern Pacific. Living in Honolulu in the 1950s was beautiful and sweet, a highlight of my young life, and this is where I first saw surfing. I was mesmerized by the grace of the surfers as they glided toward shore singly or sharing waves together.
Travels took us to the Philippines, Japan, Hong Kong and then eventually back to San Diego, California. My parents divorced and my mom remarried. Life became hard for my mom and I when my stepfather (another Navy officer) came into the house. We continued to move, this time for a short time in Newfoundland and then to Florida for a few years. My father stayed in San Diego, but was out of contact. My mom and I longed to come back to San Diego, as we loved the dynamic landscape and the Pacific Ocean.
Surfing is something you were determined to do whether you had permission to do it or not. Why do you think you were ready to figuratively go to battle in order to be able to surf?
Surfing is beauty, oneness with nature… the blessing of riding moving energy on the ocean… freedom, inspiration and creativity
My stepfather had grown up in the Depression and he did not approve of the bohemian life of many surfers. He was determined that there would be no surfing: “No daughter of mine is going to surf!” I think he was threatened by a kind of joy and freedom that he did not understand. There was alcohol and violence in the home. I kept my head down, studied hard at school and escaped to friends’ homes when possible.
Mom dreamt to surf too and we quietly talked about the beauty of the waves. After school, I loved to ride my bike to the beach to watch the surfers. In 1964, she and I were at the beach on Easter weekend. I was 13. After asking permission, I borrowed the lifeguard’s paddleboard and rode my first wave standing. From that day on, I mustered up courage to ask to borrow boards when people were finished surfing. I learned to surf on my own by watching others.
In the summer of 1966, I helped out at a surf shop—patching dings—and earned $45 to pay for an old 9’7″ that had been broken in half and repaired. It was heavy in the tail and I thought the added weight helped me get longer noserides! This board weighed about 30 pounds, and I walked about three miles to the beach carrying it in all kinds of weather.
The incredible free feeling of riding moving energy swept me away! A wave is energy made visible! Riding waves was a dream come true as I had longed to surf for years.
The people I looked up to were my mother and teachers who were encouraging and kind at school. Mom was a talented artist, free spirit and entrepreneurially-minded businesswoman.
The first photos that I saw of surfing women in 1960s publications were of Shelley Merrick, Linda Benson and Joey Hamasaki, I was so stoked. At Ocean Beach in the late 60s, I met Judy Dibble and Joyce Hoffman, who lived in OB at the time. It was inspiring to see them out surfing. I am also inspired by special men that we’ve surfed with since the 1960s, including Thomas Threinen, Skip Frye, Ricky Ryan, Steve Lis, Jeff Ching, Larry Gephart, John Brockway, Bunker Spreckels, Ben Ferris, Larry Duff, Jon Riddle, Steve Pendarvis and others.
We were surfers and waterwomen first, purely loving the ocean and everything around it. The year leading up to the First Hang Ten Women’s Pro at Malibu in 1975 and the championships are important memories. Rella stayed with the Pro events longer than I did. I appreciated the encouragement that Rella and Jericho shared that I should continue, but responsibilities at home prevented me from traveling on tour. Also, in my heart, I am more of a soul surfer than a media person.
I want to thank our dear friend Skip Frye, who encouraged me to join WISA in early 1975 and participate in the series leading up to the first Women’s Pro. The sweet lifelong friends we made and the adventures we shared were the most wonderful blessings to come out of it.
Oh, this is a challenge to choose just one place! Hawaii, for the love of cultural traditions, aloha of the people, beauty of the land and surfing. Australia, for its wide, expansive landscapes, pristine points and friendly people. New Zealand for its gorgeous greens and dynamic oceans. Oahu is my second home.
God inspires. All creativity is a gift.
Surfing has always been revered as a gift from God. Quiet time in the ocean is a good time to pray, and we often ride “long life” prayer waves for friends and family who need healing and comfort … praying all the while, and sending out love.
As an artist, beauty, color, light and soul inspire my visual arts. Drawing and painting are a meditation, as is photography with my film and digital cameras.
As I love to write and have a passion for history, it’s wonderful to lift up people who inspire us, as a way to share and give back. I’m honored to write features about people we love and are inspired by.
I’m inspired by our elders, including Skip Frye, Uncle Val Ching, Jim “Mouse” Robb, Linda Benson, Dr. Walter Munk and Ruth Simmons Hilts. Skipper and Uncle Val are amazing watermen who revere God, live well, love the ocean and share wisdom and kindness with others. We love and respect our elders.
Thank you for your very kind thoughts. Being in the moment with whatever I’m doing, I don’t think about myself, but the project that is being worked on. I am thankful to have lived through the eras and to have wonderful, varied experiences.
Being self-employed much of my life has led to learning and a variety of experiences, working hard, solving challenges and focusing on the projects at hand. I am thankful for the opportunities kind friends and colleagues have shared, and treat all work with respect.
A very comforting fact… that God is in control of everything. God is Love. The Lord loves each and every one of us, and each person is perfect in the eyes of God. It’s always my hope and desire to see others as God sees people, and to share kindness with all. There is strife in the world, and it’s good to share love and kindness with others. Thank you to Uncle Val for sharing wisdom from your grandmother: “Faith, hope and charity are most important in this life.” And we take these wise words to heart!
Life is for learning, and there are no regrets. I’ve lived honestly and gracefully, and have done my best. If you realize you’ve made a mistake, ask for God’s guidance, and for His help with forgiveness and peace … for others and yourself.
In the late 1960s and early 1970s, when so much creativity was going on with surfing and board-building in Point Loma and Ocean Beach, I was an artist in college, building boards with family and friends… and riding the boards that we made. Our friend Steve Lis invented the fish here. I was among the first surfers riding fish standing in 1970. Those were amazing times!
Over the last eighteen years I’ve written several educational books that combine art and technology, they’re published by Peachpit Press in Berkeley. The books are a wonderful creative challenge and require very focused work to write, design and produce. The latest is the new Painter Wow! Book, tenth edition.
I’m honored that the article I wrote about Uncle Val Ching for the Surfers Journal is helping him reach out with his teaching of the Hawaiian traditions—farming taro and arts. And I’m proud that he was recognized as a Hawaiian treasure by the governor of Hawaii and mayor of Honolulu in the summer of 2011. June 25 will forever be Uncle Val Ching Day in Hawaii! Stevie Lis asked me to help him share his life story and the origins of his fish design. I was very honored to write a profile about him for the Surfers Journal. The fish is still my favorite surfboard design. Both of these pieces are labors of love for people that we care for deeply.
Another love is surfing history and I have worked as a historian for more than 10 years. I’ve enjoyed researching the surfing history of our area… Point Loma, Ocean Beach and have created presentations and slide shows for the Ocean Beach Historical Society. I’ve also helped prepare exhibits in conjunction with the San Diego Maritime Museum and California Surf Museum and lent support with Surfing Heritage.
I’m very proud of my husband Steve. He is wonderfully creative and has a strong work ethic. Steve accomplishes a lot with just a little. He is a one-man-band building his hand-crafted surfboards, always exploring and innovating. The boards he makes stoke people and make them happy.
A few years ago Steve and I were commissioned to make a special surfboard that would be presented to the President of Liberia, Ellen Johnson Sirleaf. And in 2011, we were commissioned to make an art surfboard that would be given as a gift to Archbishop Desmond Tutu of South Africa. Steve and I are incredibly honored and humbled to build these boards, and are thankful to our client who commissioned our work.
As a young girl, surfing helped me realize independence for the first time. Riding a wave allows us to be one with nature and the moving energy. Surfing and being in the ocean nurture my art and writing. Surfing is a creative expression and healthy release. It gives me great joy to share waves with loved ones.
Every wave is a prayer and a gift. A wave is energy made visible! I reflect on how far a wave has traveled to the place where we can ride it.
Tell us about your hip replacement and how the experience of having a joint replaced has impacted your surfing.
First off, I am thankful to God and my doctor for putting me back together again. The year before the hip replacement was very painful and it was excruciating to hop up on my board, but I pushed through the pain. I did everything I could to avoid the hip replacement surgery, but in the end, the replacement became necessary.
The very forward, talented surgeon did an excellent surgery. I was able to swim two and a half weeks after the surgery in a pool or calm ocean, and continued to do water exercises. Four months after the surgery, I surfed for the first time. Having the joint replacement has given me back the active life that I love.
Love of God, my husband, close friends and family, being out in nature and keeping good thoughts for others make me happy. I appreciate the beauty that God has blessed us with. I’m also grateful for surfing, art, drawing, painting, photography and writing.
Who are some of the people you feel are shaping the path for surfing today?
There are many. In general, people who are true to their hearts and beliefs. With the internet today, people aren’t as isolated as they once were. Anyone can share their work and friendship through blogging now. We are happy to see young people with open minds who want to experience things for themselves … some of the things that we still enjoy … for instance, dreaming up creative ideas and pushing their own limits with art and surfboard design.
Most of my favorite boards are related to the fish. I enjoy riding a variety of craft from longboards to short fish, surf mats and paipo belly boards.
My favorite spots are reef breaks near where we live, some point breaks in Baja and a few spots in Oahu and Kauai.
An organic salad with all the trimmings; it’s a healthy meal in a bowl. Some of the ingredients are romaine, spinach, carrots, red cabbage, tomatoes and avocado. Feta cheese is a tasty topping. We like to make our own dressing using olive oil and balsamic vinegar.
Well, on CD, radio and streaming… listening to IZ, Gaby, Makaha Sons, Brothers Cazimero (and the sweet Hawaiian tunes that kind Hawaiian friends have shared with us), jazz on KSDS 88.3 and Hawaiian music on KKCR.org.
Rell Sunn Educational Foundation, Sunset Cliffs Surfing Association, Ocean Beach Historical Society, California Surf Museum, Humanity United, San Diego Maritime Museum, Surfing Heritage Foundation, Surfrider, Surfers for Cetaceans, The Groundswell Society, and Wildcoast.
God’s love and grace. And I’m grateful for the discovery that God blesses us with family through close friendships. Friends are the family that we choose. I am thankful for my husband Steve, our lifelong friendships, artistic collaborations and wonderful, close community. Life is more tempered now at 61 years, and I’m thankful for each day.
Only God knows … in my heart, keeping close to God walking in the Light; being grateful for each day; keeping true to our hearts; sharing kindness, working hard at the work God gives us while appreciating creative pursuits, and surfing as long as I can move.
Image credits: 1. Thomas Threinen 2. Thomas Threinen 3. Michele Jacquin 4. Jim Pigeon 5. Steve Pendarvis 6. “Downstream Weather,” painting by Cher Pendarvis 7. Thomas Threinen 8. “Seaview 2,” painting by Cher Pendarvis 9. Steve Pendarvis
The Photoshop and Painter Artist Tablet Book: Creative Techniques in Digital Painting using Wacom and the iPad, Second Edition is a one-on-one art class with Cher in book form.
The Photoshop and Painter Artist Tablet Book, Second Edition can be purchased from the following vendors:
The 10th Edition of The Painter WOW! Book series is out. Extensive new artists galleries, tutorials and a thorough editing to reflect new changes to Painter 12 make The Painter WOW! Book educational and inspiring!
The Painter Wow! Book can be purchased from the following vendors: